Friday, June 14, 2013

May 18 -- Kristy Bishop

Kristy Bishop visited us to talk about dyeing and her experiences while acting as artist in residence.  She started out as a painter, but has transferred her love of color to the world of dyeing.

Kristy Bishop stands beside one
of her lovely pieces.  This piece
was a study in natural dyes.
During her residency, Kristy experimented with natural dyes, focusing on local plants.  While experimenting, she came up with the idea of creating recipe cards to track how she achieved various colors.  This sounds like a very good idea for those of us who tend to forget how we managed to make a beautiful color that we want more of!  Some of the plants that Kristy has used are sweet gum (a muddy green dye), tick seed (yellow), and various flowers- many of which were discarded from florist shops.

Throughout her residency, Kristy taught dyeing lessons to art classes at several schools.  Her main focus for these lessons was Shibori.  Apparently, while the students enjoyed the process and results, they did not appreciate the smell!

You can see the tables through
the fabric of this piece.
I wish I could have seen the
full installation!  
We were able to see some of Kristy's work from her latest show during the presentation.  One piece was a study in various natural dyes.  It was very interesting to see how many color variations she created and the finished product is beautiful.  This was accomplished by dyeing small pieces of fabric, then gathering it tightly and stitching it onto a canvas.  The other piece that we saw was part of a larger installation.  This stunning installation involved several different sized pieces of sheer fabric hung from embroidery hoops at different heights and depths within storage containers so that you can look through the various pieces to see the others behind them.   To dye the fabric, Kristy first folded it in various ways, then clamped rings such as mason jar lids to either side of the folded fabric, and finally dyed it with indigo.  This created a stunning pattern of  bright white within the dark and bright shades of blue.  The full installation must have been stunning!

 T

Monday, May 20, 2013

The New Felting Group is Booming!



About a week ago, your primary blogger (Sandy) posted Marlene Gruetter's nice introduction. OK, confession time -- Marlene sent me every bit of that post months ago and I have been slow to actually turn it into a blog post. Well. . . Busted! 

 Apparently Marlene was in town, probably as I wrote, and she met with the new felting study group on Thursday, May 9. The day was inspiring -- members of the group sent me a write up on their day together AND sent pictures, so with no further delay, let me share what Guild members with a special interest in felting are up to. . .

Lead In: Judy Warren has recently convened a monthly felting group for people to get together and explore this versatile art process. The group usually meets on the 1st Thursday of the month from 10 am - 3 pm at the home/studio of Judy Warren. If you would like to attend, contact Judy at jwarren85@rocketmail.com. 

Here's the report I received this week:

The Felting Study Group met May 9 (Sandy interrupts one more time -- I think the study group generally meets on the 1st Thursday of the month, but probably changed up to accommodate Marlene's time in the area. Ok, I'll be quite, now) and started with a planning session regarding summer meetings, created a binder for future reference and, of course, enjoyed food together while we planned. (Garnette Tuten brought the most wonderful croissants from a French bakery on James Island for our "working lunch" as we did our planning.)

Then Marlene demonstrated the steps in making a small round felted vessel -- cutting the resist circle, laying fiber, decorating, turning it into felt, cutting an opening and finally, shaping. 
Fiber layout for a small round felted vessel
Happy felting lady
The vessel takes shape
Finished and Fenced
Froggy went a-felting!
 After lunch, Marlene helped each person create her own vessel. This was fun and a great learning experience. Those who were in attendance were: Garnette Tuten, Judy Warren, Marlene Gruetter, and Amy Buckley.

In previous sessions, we have made felt squares to discuss their quality and our techniques. We've also made geodes, beads, small coin purses, and flowers.  We plan to continue to advance by taking up nuno felting next.  As our experience and skills increase, we will do larger, more detailed, projects. 

(Sandy says thanks to the felting group for sharing such a good report -- looks like incredible fun!)

Sunday, May 12, 2013

Hey Everyone, this is Marlene. . .

Marlene Gruetter is here to introduce herself to those of us who haven't met her yet. Though she lives in Ohio, she is back and forth to a second home in The Lowcountry, and as a "mad felter" has connected with our Guild and the new felting group. Welcome Marlene and thanks for letting us get you know you a bit more!


Marlene
"As a new member, I would like to introduce myself to the guild.  My name is Marlene Gruetter and I currently reside on an 86 acre farm in Scottown, OH along with my husband Carl and a clan of dogs, cats, chickens, horses, pigs, goats and sheep.   Up until last year we raised and bred the Angora goats, Wensleydale sheep and llamas.  But due to health issues we downsized our herd and now only have a few of the “old guys and dolls” hanging out.  

Through the love of my fiber animals I was introduced to various fiber media, and when I was led into feltmaking, it became my obsession and primary media of choice.  A few years ago Carl built me a small studio next to our cabin. This increased “space” allowed me to experiment, develop and create complex projects which eventually led me to artistically develop a unique felting style which I call Shambolic™ Felt.  

This style involves the combination of wool/silk (nuno felting to those familiar to the term, but there are distinct differences between the classic nuno and Shambolic™ Felt.  My work includes ripped up recycled silk garments and the incorporation of all the elements which the garment offers (sequins, serger hem, labels, etc). My focus is primarily on wearables – full lengths coats, jackets, vests, dresses, scarves and handbags. 
In addition to creating felt, I enjoy teaching feltmaking (beginner to advanced) both locally and nationally, conducting presentations to fiber groups and writing articles for fiber magazines.  My website is www.shambolicfelt.com and I hope you will visit the site to see some of my creations.

My connection with Charleston SC? -- A few years ago Carl and I visited the Charleston area as a quick first visit on the way home from a family visit in Florida and we fell in love with the area. When we returned home we talked occasionally of how Charleston would be a great place to retire.  So, this past year we trekked down (a few times) and with the assistance of a wonderful realtor we purchased a beautiful two bedroom condo at Pelican Pointe near Folly Beach in May 2012. 

And how I found the fiber guild? -- During one of our visits to the condo I forgot to bring wool with me.  I decided to search the internet for area stores which might carry merino roving.  As I was searching I ran across the guild and thought some guild member could help direct me to a retail store.  I contacted Lynn (Holland) and left a message asking about where to buy wool and she responded with some possible sources. Through our conversation she invited me to attend a future meeting.  I was thrilled and became a member immediately.  Currently, I can only visit “every now and then” but when the visits are in sync with guild meetings I definitely will be attending.  If there are ways which I can help with the guild from a distance, I am eager to do so. 

Please feel free to email me anytime.  My address is marlene@senistudio.com .

I do hope I get to meet everyone in the future and it is a pleasure to be part of this guild.
scarf and handbag

Saturday, May 11, 2013

Palmetto Fiber Arts Guild Membership Status Report



It is May 11, and Palmetto Fiber Arts Guild has just "sort of" finalized our membership roster for 2013. Clearly, filling out forms is not our strong suit. 

This blog, and all the information in it, is available to everyone in the whole world wide web to see and, hopefully, enjoy. And we welcome all comers to our meetings, held the 3rd Saturday of each month as well. 

But full-fledged members do enjoy a few special benefits -- discounts on guild sponsored activities and timely e-mail reminders of meetings, programs, classes and workshops in the area that members may be interested in. Through these special e-mail messages we also brag on members when someone is doing a show or has pieces in an exhibit. (for example: Michaela, Arianne, and LuAnn all had pieces juried in at the prestigious SC Palmetto Hands Fine Craft Competition and Exhibition, shown May 3 - 11 as part of the North Charleston Arts Festival.

And then there's The Roster, with a whole list of other people with similar interests -- with addresses and phone numbers and indications of each member's favorite fiber fun. Old school social networking at it's best!

Awesome Ann Blanton

We have Ann Blanton to thank for compiling and organizing our roster this year. As I look it over I see we have 37 members! -- We are growing and meeting new fiber enthusiasts all the time. Yippee! Love you all! 

And I notice our geographic spread. We have members throughout the Greater Charleston area, down to the sea islands and up to Ladson. But wait! Look! Here's something new for us: We have members (as we so colloquially and unabashedly say here) "from off". -- a member in Myrle Beach (she weaves and quilts), another weaver and quilter  who lives in Glassboro, New Jersey, and Marlene Gruetter, who "lives on a 86 acre farm in Scottown, Ohio along with my husband Carl and a clan of dogs, cats, chickens, horses, pigs, goats and sheep." 

Marlene and Carl stopped briefly in Charleston on their way home from a Florida vacation one year, and just couldn't get the place out of their minds -- so they've bought their future retirement digs here and are in the area occasionally.

We live in a special place that attracts special people -- and the fiber people among them know how to  find their "comrads". Our presenter at April's meeting; Liz Gipson, reached out to us when she planned a vacation here -- and many other fiber lovers who are here for a few days, weeks, or months will continue to find us through a friend of a friend, through this blog or our Facebook page, and through seeing announcements in the paper when they are in town. Marlene has written a wonderful guest post to introduce herself to us which will appear here next. We embrace this opportunity to connect more broadly with more fiber-lovers-- from on and off!

And back to bragging on members: Marlene will have 2 pieces of her "Shambolic wearables" in the 2013 Fashion Show at the Surface Design Association annual conference this June in San Antonio Texas. Shambolic is a special felting technique that Marlene has developed and specializes in -- more about it in the next blog post. . .

But, for this post, I digress from "The Roster". Before I push the button to "post" this entry, I'm going to send the up-to-date roster out to the membership. If you think you are a member, and don't receive the roster, get in touch with me and we'll see what the problem is -- either you haven't paid your $25 for 2013 or we missed getting you on the list or I missed getting you on my e-mail distribution list.

And here's another tip, when you get your roster -- print it out and keep it handy -- but also save it to your computer with the date in the title. That way, you'll always be able to go to your most recent roster!

And just because I like to include pictures: Here's a lovely shawl knitted and worn by Jess Jones to our meeting in April. I love it!
So pretty, Jess!

Tuesday, April 2, 2013

April 20 -- Liz Gipson and Friends

From Amazon.com:  "Liz Gipson is a weaver, spinner, shepherd, teacher, foodie, and Nordic skier. She adores yarn and making stuff with it. As the former Managing Editor of Handwoven and Spin-Off magazines she is passionate about inspiring weavers to weave and spinners to spin. She has made many guest appearances on HGTV and DIY how-to craft programming and is co-host of Knitting Daily TV on PBS. Liz lives in Loveland, Colorado, where four cashmere-bearing goats keep her grass mowed and her spinning wheel busy."


AND she'll be our guest presenter at our guild meeting at 1:00, April 20.

Liz is the author of Weaving Made Easy 17 Projects Using a Simple Loom and has a DVD out called Slots and Holes Three Ways to Warp a Rigid Heddle Loom.  She plans to arrive at Bee's Ferry Landing with warped looms so we can try our own hands at weaving on the versatile rigid heddle loom. She will show us a direct warping technique that she says, "Once you get it down, warping the loom takes about 20 minutes."

As Liz was planning a vacation to our lovely Lowcountry, she contacted us and offered to stop in and visit with us.

Added bonus:  Friends traveling with her are Constance Hall of Dyeology and and Judy Pagels of Schacht Spindle. Constance is a Schacht dealer and also dyes fibers for spinners. She will bring a few looms as well as Schacht's cute new Zoom Loom (an update on the pin loom). They will have copies of books, DVDs, and catalogs. Constance can offer guild members that either buy or order at our meeting 10% off Schacht products.

Sounds fun, doesn't it? Plan to come right on time and we'll hand the floor over to our guests right away. See you there!
Spa Set woven on Rigid Heddle loom.
Runner Bean woven on rigid heddle loom.

Friday, March 8, 2013

Blocking Knitted Pieces

At our Guild meeting in February, Anne Ball brought everything needed -- including an improvised kitchen sink -- to show us how to do the all-important step of blocking hand-knitted goods. It is especially important for lace items.
 
 
Anne made it look so easy as she showed us two strips of of lace she had knitted. One piece was washed and blocked but she had saved the other to demonstrate the step for us.

Anne swished the knit sample in her "sink" -- and told us she added whatever shampoo and conditioner she used for her hair. The shampoo cleans the piece and removes any oils picked up from the hands that made it, and the conditioner makes it all a little bit softer. 

The piece is rinsed, then the extra moisture is squeezed -- not twisted -- out. She also showed us how she sometimes rolls the wet piece in a towel and then stands on it to press even more moisture out. Again, it is important that this is a pressing action, not a wringing action. so just stand there. Don't dance.

After all this, the piece will still be wet, but not at all drippy. It is time to block it.

Tools are important. Anne showed us interlocking foam pads that can be configured in any shape needed, blocking wires, rust-proof T-pins, and of course, a ruler or tape measure. The blocking wires were ideal for the strip of knitted lace Anne was working with; one slid into the selvage side and one caught each point of the lace design. Then a few T-pins were used to hold the two wires the correct distance apart.
Now, just allow it to dry -- depending on its size and the level of threat children and pets pose at your house, you may leave the piece pinned to the foam pads on an out-of-the-way floor, a bed, even on a screen drying rack over a bathtub.

When dry, the piece will have a more settled, finished appearance. Uneven knitting will look more uniform, and the piece will hold the shape the blocking assigned to it. Now you may dance.

Here's some of the information that came out of the ensuing question and answer time at our meeting.

Q: Do you need to block a piece if it's not made of wool?
A: Most things do look best after washing and blocking, though the most dramatic difference is noticed in lacy wool items. But no matter what the fiber, uneven stitches and a multitude of minor knitting errors can be rectified or significantly minimized by the process.

Q: Do weavers need to block their work?
A:  The tension of the warp during the weaving process often keeps the shape of a scarf, shawl, table runner, or towel fairly uniform, but pieces taken off the loom still benefit from washing to clean them and to allow the fibers to shrink and lay together more uniformly.

Generally woven items are not considered to be "finished" until they have been washed. You don't want to give someone a 12" x 18" hand towel and have it become 10" x  15" the first time they wash it.

A simple blocking process (using wire or just pins) can make a woven piece into a more uniform rectangle or even up a wavy selvage,if that is a problem.

Q: I've knitted a vest and I need to stitch the front panels to the back piece (side seams). Should I block the three pieces before I sew them together or wait until after and block the whole garment?
A: There were some "that depends" caveats on this questions, but the general consensus was that the garment would probably be easier to stitch together smoothly if the three pieces were washed and blocked first.

Thank you Anne for showing us how to go about blocking! As each of us are ready to do it on our next project, we may be calling you!




Tuesday, February 5, 2013

Syria's Beautiful Past Evident in its Textiles

This interesting bit came to us from Judy Warren:



"The silken tassel on this skull cap woven in Aleppo around 1800 recalls a more prosperous and tranquil time in that now beleaguered Syrian hub."




Syria is much in the news now. . . most of it horrifying and sad and distressing. But in this recent story on NPR, commentator Susan Stamberg wove a story of this lovely silk woman's cap, the artisan traditions in Syria, and of Aleppo, Syria, in particular, where the hat was found, and the peaceful, richly cultural times when it would have been worn, in contrast to what is transpiring now.

The cap is part of  the Sultan's Garden exhibit  featuring textiles and related utilitarian items from the Ottoman Empire now on display at the Textile Museum in Washington DC.

Personally, I'm embarrassed to say I didn't realize there WAS a Textile Museum in DC -- so thank you, Judy, for sharing this -- and guess what I found out when I looked at their website? --  Frommer's says they have one of the 5 Best Museum Shops in Washington DC. Now I would think DC is a city that has pretty stiff competition among museum gift shops so this is going on my list of things to see next time I visit Washington.